Everfresh in the Changing

Category: Inquiry

Invitation to Intimacy

An Invitation to Intimacy

Dying is easy
It’s living that scares me to death
.”
– Annie Lennox, from the wing ‘Cold.’

Because culture – and nowadays, the culture of modern science – has such an over-bearing influence on attitudes to death, I approach the concept of death in a way that steps out of the usual seemingly implacable restrictions of ‘now’ and ‘later’: “Now I’m alive; later, I’ll be dead.”

All the dulling varieties of reactivity that arise with this limited approach are plain to see. People attempt every conceivable escape from wakefulness toward death – from gross to subtle. We climb mountains, drink ourselves stupid, accumulate things, make war, get famous (or try to), explore our dreams, or we watch TV – simply to forget the big questions. We even use spiritual techniques like lucid dreaming, mindfulness or meditation to fool ourselves into thinking we are cool with death. There is nothing wilier in nature than an untended mind.

And, the popular ‘seize the day’ (carpe deum) approach is limited; not because it doesn’t have its benefits, but because it doesn’t take into account certain core human experiences. When used as a substitute for contemplation, it impoverishes us. When young I was in sympathy with a sense-based version of “carpe deum” – which added up to: “Feel good, as much as possible,” basically. Eventually, I asked  myself: “Do you know yourself? If you don’t know the nature of mind, then do you know who is seizing what?”

If you have not understood the mind, on what basis could you be free of death? Surely, death is intimately related to mind? In later years, I reframed my questions: “Surely death has something to do with the dissolution of the sense of being the ‘experiencer’ (of experiences of all kinds, including meditation), right?” And the insight into life and death got subtler with this exploration. Understanding, as Sue Hamilton-Blyth put it, “the constitution of the human being,” is core to understanding life’s true value. So, is it dying that scares us about living?

So, it isn’t satisfying for me, to simply leave death for later, as if death is only an ending, and not something which is here, now and sacred; something which actually contributes to the big Life process. But I’m getting ahead of myself, here, aren’t I? I acknowledge that I’ll need to demonstrate such sweeping affirmatives as this, with step by step experiential grounding.

So, to be personal, to explore the ‘more’ of this territory, I need to experience as much about the innerly nature of death and deathlessness as I can, while I’m optimally strong and clear, and long before the dissolution of the body. And, you’d be wise to ask, “How has he done that?” Some have responded: ‘How can you experience death, while you’re living? That’s ridiculous. Get serious.” While others have said say, “Wonderful. Go into it with all your heart, now, while you can. Be serious: realise the deathless.”

As a slight ‘by the way,’ I notice that the people who have this second approach are (generally speaking) more positive, more vibrant, and less selfish, than the first group. And, crucially for me, they are not flag-wearers or wavers; they’re more likely to be ‘citizens of the planet.’ The way they live reflects the wisdom of their views. Admittedly, there is a portion of this group who have a life-denying tendency (I’ll examine that later); but, generally speaking, you find less cynicism in the “deathless” group. Why is that? What does it say about their inner experience behind or under their concepts of ‘death’ and ‘dying’?

I do want to be open about the matter of the ‘deathless’ – because, I don’t want to put ‘isms’ before reality, and that includes Buddhism – but, when I started to examine ‘what dies,’ it seemed to me smart to give vigilant or careful heed to this group, who showed more genuine independence from consensus opinion than the others did. (The Vietnam War was raging at this time, and so I was suspect of what went as established opinion.) There’s a theme, here, isn’t there, of guarding one’s authenticity.

But, back to my topic of ‘then,’ and ‘now.’ If I examine my own use of the words ‘death’ and ‘dying,’ I notice that I can imagine ‘the later event,’ and I seem to believe it has some reality, in some way. How can this be? What can I believe or conceive about something which I haven’t experienced? So, how is dying ‘easy’?

Seeing the death of others mostly only means that ‘later’ thing. Later, like my dead relatives or friends, I’ll stop breathing, my blood will stop flowing, my body will go cold, my senses will cease functioning – things like that. I’ve seen that happen to others. This I can have no doubt about. One decade, one year, one month, one minute, one second – death of this gross sort is certain. Death, in the ‘over there’ sense,’ will definitely happen; I’m not arguing with that. However, you’ll see it, not me; because I’ll be on the inside of it. One is, in an important sense – that is, experientially – alone in this.

It’s obvious that death, as an experience, is always a ‘now-here’ event, not ‘over-there.’ Experiencing is always Now. Without this deeper encounter, I can use the phrases ‘my death,’ and ‘my dying,’ and the words won’t carry the felt texture of being inside dying, and inside death.

So, beginning in the seventies, I asked myself regularly, “Is there any way that, while living in all kinds of conditions (sick or ill, happy or sad, and so on), and while not missing out on a fully-lived, vibrant, real life, that I can know something about the dissolving of personal life, and so live free of the burden of that thought?”

It’s this understanding that the wise speak about; so, a few decades ago, I began to engage with the kinds of sensitising practices which they recommend, so to make intimate this great matter. When I say, ‘contemplative,’ this is what I’m indicating.

And, this is why, in recent years, I decided to concentrate on what the earliest Buddhist teachings tell us about this real-life happening – especially in the Nikāyas. That’s a central theme in my project. These early teaching do speak about the challenge, and they offer a pristine ‘present-moment awareness’ approach to death and dying: “Attentiveness is the place of the deathless; inattentiveness is the place of death.” (Dhammapada, 21) This approach is very simple, and very applicable to living now – it’s not just about the ‘later’ inevitable event. The other important thing for me is that this approach is very much a matter of ‘The work and its fruit is down to you.’

Not by means of [outward vehicles] can one go
To that place untrodden,
Where a self-tamed person goes
By means of a well-mastered, disciplined self.

The Dhammapada, verse 323. Translated by Christopher J. Ash.

Invitation to Establish a Citadel

Having understood this body to be [vulnerable] like a clay pot,
Having settled into this heart as if it were a citadel,
attack the King of Death with the sword of wisdom,
and protect what has been conquered by clinging to nothing.
Dhammapada, verse 40.

Wisdom in our sorrowing world is urgently needed. How come we aren’t talking to each other about what it might be, and how it might be nurtured species-wide? Let’s entertain the possibility that wisdom is far more accessible than previous cultures have led us to believe. What if we discovered in this inquiry that every human body is wisdom?

Wisdom regarding death and dying can transform humanity’s unexplored anguish, which discharges itself in destructive emotions. The tensions wrought by unresolved core questions – those that every child encounters, and puts out of sight – make their way into our behaviour.

How come we aren’t asking, while we still have enough ‘nous’ to nurture the inquiry: “What kind of experience does the word ‘death’ point to? Can we have a taste of the view of death from the inside? What’s death going to be like, anyhow?” Mary Oliver asks this, in her poem When Death Comes: “(W)hat is it going to be like, that cottage of darkness?”

Most adults have seen what it’s like from the ‘outside.’ A verse from the early Buddhist teachings puts it this way:
All too soon will this body will lie in the funeral home:
useless, without mind, like a meaningless stick of wood.
– Dhammapada, verse 41.

We see this fact, with the bodily eye; but the heart’s eye – longing for depth, not surfaces – intuits the possibility of insight into death, and the ending of anguish. Zen teacher Aitken Roshi used to speak of ‘dukkha’ (a name for the most fundamental human suffering) as ‘anguish.’

This Dhammapada ‘stick of wood’ verse, by the way, is even more stark in its literal rendering: “This body will lie on the ground,” it says. In the Buddha’s time, the body might simply be taken to a charnel yard, and be left to rot and disintegrate out in the open. ‘Discarded,’ the original verse says. I changed the context to reflect a common process in Western countries – funeral homes and crematoriums – but, to be matter-of-fact about it: at some stage, our bodies, too, are discarded – understandably.

It’s interesting, also, to reflect that ‘charnel’ means ‘flesh’ (carnal). Charnel grounds and houses are (or were) about the meaty side of death. There certainly is this side of things – the surface layers of human life. It would appear that there are few ‘flesh grounds’ these days; but, even so: this body is still (in some respects, at least) “like a clay pot.” It’s fragile. It’s breakable. It’s vulnerable to all kinds of misadventure. That is not fresh news, of course; but, how little – oh, how little in our entertainment-obsessed world – have we penetrated to the true significance of this, all the way to the heart of birth and death!?

So, how come we aren’t wondering more openly, together, “Who or what in us dies?” (Who Dies? by the way, is a title of another of Stephen Levine’s books.) We can’t lose, by this inquiry.
Who has done her own work –
Being endowed with virtue and insight,
firm in the Dhamma and a speaker of truth –
people hold such a one dear.
– Dhammapada, verse 217.

Well… that is: can’t lose anything but our fictions; which I acknowledge we mightily cling to, as to a damn good novel plot. However, do allow, please, the possibility of not clinging, realizing your true nature, and “settling into this heart as it were a citadel.” Entertain the possibility of being thereby being better equipped for the meaty dénouement on the final page. If you have experienced the citadel aspect of awareness, you’ll know that it is rock-solid – wondrously, beautifully immovable. And, it’s unconditional. It is beyond corruption.

Insight into death can not only penetrate to the heart of birth and death, but can establish the citadel, and secure the heart’s gains, because:
For one whose heart is without affliction and perplexity,
who has abandoned good and bad, who is awake, there is no fear.
– Dhammapada, verse 39.

I’m working in this project at unpacking – in contemporary terms – a remarkable possibility present in all of us: that when we meet the essence of death we find a jewel – one aspect of which is the citadel.

(All translations from the Dhammapada are translated from Pāli by Christopher J. Ash, unless otherwise attributed.)

A Worthy Insight Training

“Insight (εἴδησις, seeing, understanding) we take as a fine and worth-while thing..”
– From the opening passages of Aristotle’s ‘De Anima,’ quoted in Gendlin, Line by Line Commentary on Aristotle’s De Anima, Bk 1.

Because my topic is how we think about death and dying, and how we can best benefit from these facts of life, this work has insight as its primary topic. My OED gives, as a definition for ‘insight’: “The fact of penetrating with the eyes of the understanding into the inner character or hidden nature of things; a glimpse or view beneath the surface.” I want to look into the not-so-obvious dimensions of death and dying. Insight, from a Buddhist perspective, is about care, growth, and precision of understanding; hence, it is about more life, and that can occur even while one is dying.

A further major theme in this work is the exploration of the kind of thinking which fosters insight into death and dying; and, not only the how of that particular thinking, but the how of any thinking freshly. It sounds funny to say, because we adults think we know how to think. Yet, we are get along in our day-to-day thinking by relying on a mode of thinking acquired before the age of… say, mid-teens? Early, anyhow.

Death did figure in our thinking early in life, but we hardly got on top of the topic, did we? If so, why is there not peace abounding? We didn’t master a training in death-thinking, nor in thinking in general. In respect of death, we fell in line with our cultures, and adopted a ‘don’t-think-the-unsayable’ strategy.

A student recently came to see me shocked that her life-long friend died accidentally, unexpectedly, in the midst the friend’s routine daily activities. When this happens, the mourners find themselves without ground. They’ve mastered much else – engineering, medicine, building, creative arts, therapy, driving, or whatever – but they haven’t mastered the process of insight, which alone can light up the ‘space’ where death matters the most. People die in innumerable ways, frequently unexpectedly – and we are shocked. Why the shock? You might say it’s normal to be shocked. Is it? What do you mean by ‘normal’? And, if it is, maybe ‘normal’ is not optimally responsive to life’s powerful moments. Can we learn from death, when we are in shock?

I heard of a five-year-old who cried in anguish – “I don’t want to die.” That little one had seen it; he had commended that he will in fact die. From the point of view of the growth of insight, and of wisdom, that’s a precious moment. How do we carers respond, when that occurs?

There’s a YouTube of another five-year-old, inconsolable because she realizes that her precious, little, baby brother is going to change; to grow up. “I don’t want him to grow up,” she wails, keening before the event. She wants him to remain a baby, “because he is so cute.” She’s seen the fact that no matter how much she loves him – he won’t stay the way he is. She seems to Intuit that none of us will be here forever, because next she bawls: “And I don’t want to die when I’m a hundred!”

I was uncomfortable that someone – presumably a parent – was making a video of her so interior moment, but seeing the video did get me thinking about other times, of other cases, when I have heard of children having this particular anguish. I think that most of us (if not all) have a child somewhat like that in us, a child who once said, or thought: “I don’t want to die.”

Tragically, if asked, the adults around us didn’t know what to say, except for the usual conventional, distracting platitudes. Things like: “Don’t worry about it. Don’t think about it – you’ll go to heaven and meet Toby” (or whatever our pet’s name was – or the grandparent’s name). You know the kind of thing. At best, the carers whom I’m talking about – the parents and teachers of curious or bewildered children – are thrown into a sea of loving pain, upon witnessing the anguish of these innocents; but they still can’t respond in a grounded way. Apart from platitudes, they might treat the child as cute (as in the YouTube video); or they might be embarrassed at their lack of capacity to meet their child’s existential angst.

Of course, I’m generalising, but think back to your education. Most adults in our society lack insight into death. Insight training didn’t happen in their childhood, either. So, how can they help their children, when they weren’t trained to investigate the subtle dimensions of life? For, death, despite appearances is a subtle matter. It’s as subtle as ‘mind.’ WeWe aren’t trained to investigate our minds – as rigorously as a good scientist would – to investigate that which is less obvious than chemicals, organs, and nervous systems; that which is closer to us than breathe – our actual, interactional being-in-and-of-now.

Before the age of twenty-six, not one person that I meet in flesh and blood suggested to me that it was legitimate to question what the ‘mind’ is. Not one. And I’d gone through university by then. No educator had helped me get a practical handle for the territory of ‘mind,’ until I meet the Buddhist teacher Lama Thubten Yeshe, in 1976. Yet, can we comprehend death without penetrating the hidden mind of freedom? Where are we teaching this in our schools?

As a result, we are left to depend on, and we daily serve, the standard body of our culture’s thought. Presently, in the standard training, we are expected to believe that we are fundamentally made up of non-living things – sub-atomic particles, elements, molecules, and so on; and, that at death, we simply re-become non-living entities – food for worms, or dust – and that’s it. The rest of the standard story is that between birth and (that kind of) death, we simply muddle through, heroically making up whatever story we can about what this life is, and who we are in it – any story that will work. Since post-modernism, all stories are equally true. This is the dominant model, isn’t it?

While useful in the operating theatre (where, of course, I want my surgeon to have this view in great detail), such a version of human bodies doesn’t include the experience from the inside, and so it doesn’t include what is most important to you – your experiencing. And, isn’t it experiencing death and dying that we are afraid of? So, another central theme of my project is experiencing.

Isn’t it true that, in our English-speaking scientifically literate culture, we don’t teach our children to respect the great matter at the heart of their discovery of death; this discovery which, powerfully for them, includes the striking realization that death separates us from what is dear to us? More importantly, we don’t encourage our children to cherish the questions; a more important response than giving them answers.

To the extent that this lack of training was so for you and I, we got on with growing up ‘normal,’ and we learned to tuck the inconsolable doubts away for as long as possible, in a compartment the therapists call ‘the unconscious,’ far from the reach of insight. Does this seem a healthy and happy course? Perhaps instead we can turn toward death and dying, and find gifts in a fresh approach? Perhaps this is the next step in our development in the way to becoming truly homo sapiens – the wise human.

 

Patience and Seeing

I intended today to write about regret; but in the early afternoon, I gathered my materials together and I painted. At first the process felt a little mechanical, but very soon I found myself absorbed.

Amongst the interesting things I did was to make up a yucky mix that worked perfectly for the red eucalyptus stems in the painting. How does that happen? It looked awful as I mixed it, but I knew it was right; and it worked well, enlivening the whole canvas. I was now engaged, and seeing colours that were mysterious – like the blues which I invited into the black in the setting.

After I’ve painted, I find I’m sensitive to colours everywhere I go. Suddenly the rock-faces hereabouts turn up colours which I don’t usually see. The forests are showing a myriad of subtle greens, and tender reds in those same greens. The way the sunlight plays on the sandstone cliffs at sunset is fresh to me.

As I walked back to the house, from my studio, awake to the unfathomable being of the world, something rose up in me: a felt sense without words.

Going inside the house, I made a cup of tea, and sat down to invite that sense, to ‘say hello’ to, that ‘sense of something.’ Like all felt meanings, it was murky at first. It’s the kind of thing that, if I didn’t know better, I might say was ‘nothing,’ or at least unpromising. It could easily be dismissed by someone not familiar with what Eugene Gendlin calls ‘a felt sense.’ Or, if such a one could at least respect it, they might be satisfied with calling it ‘mysterious’ or ‘ineffable,’ and enquire no further.

However, sitting alongside it, giving it some space and some kindly attention, in the way that I’ve learnt and practised over several decades, more could come there. Like a shy fawn, it could only peek out at first, but then come into view. The poet Ted Hughes has a piece called The Thought Fox that suggests the cautious, even wary, way a felt meaning emerges.

That’s why Gendlin called his practice Focusing – because when we give it the right kind of attention, this vague ‘something’ in the middle of the body goes from murky to clear (as when in the old SLR cameras the frosty circle of the centre of the lens went from blurry to clear when you got the correct focus.)

So, now, what came clear was an understanding which I haven’t been confident about, hitherto. It was this: what I had just been immersed in for that period, breathing in and out, painting, was an introduction to the radiance of being as it exists in my own body. It was revealed through the art of seeing. And, then I recalled that the artist Brett Whitely had once said that the only reason to paint is to learn to see.

I now had the words for the experience which occurred immediately after the painting session. “Radiance.” As I had come away from the studio, the radiance everywhere was intense. In one sense it dissolved all differences, revealing a deeper unity through the very ordinary miracle of seeing.

On the other hand, the radiance shone – from the inside out – in every leaf, every grass-blade, and even in the buildings about me. The pittosporum as I passed it; the concrete path where I walked; the tangled jasmine in the corner, the rough steps into the house were luminous.

I had intended to write something about ‘regret’: about the harmful things I’ve done, the hurts I’ve caused which I regret the most. Instead, I find myself back at the easel, marvelling at the black with phthalo blue, painted over a green-black underlay — at how the purples peek through, in the afternoon light. And, those tiny, yellow spots in the eucalyptus leaves. The red line around that edge, there.

Seeing is for developing the heart. It would also be strong, my regret, if I arrived at the end of my life without having learnt to sense the wonder of the ordinary. All my learnèd philosophy would have been just empty naming, if I hadn’t embodied it, thus to see the world afresh.

When I look carefully
I see the nazuna blooming
By the hedge!

– Basho, trans. D.T. Suzuki (Japanese ‘nazuna’ could be translated ‘shepherd’s purse.’)

Combodying Gaia’s Body

The day the doctor told me that I had cancer, it was interesting to experience my reactions. My partner and I were conferring, as she drove into the traffic on the freeway. We were going back home to the mountains, from the doctor’s surgery.

She asked me how I was with the fact that my life was in danger. I felt inwardly, and I found there a feeling of tenderness. When I sat with it, it showed itself as a feeling for the whole world.  I knew (in there) that my world-wide social body was in much more trouble than my physical body was; and that my biospheric body was in a lot more trouble than my one little prostate could be. And, that my energy body was relatively peaceful. I was okay.

To come to terms with death, I live as fully as possible in my bodies – the most accessible of which are the gross body, feeling body, and subtle body.  Isn’t the word ‘death’ mostly associated with the thought of some kind of a body – usually with a gross body (that is, a physical body)? Yet, are we really putting our heart into living as bodies? I realised when I was in my late twenties, that I was living some distance from my body; or, at least, in the very tiny portion of it above my shoulders.

But what is the body which I am? Is it knowable, except as ‘this moment’s experiencing’? Discovering my tendency to ignore my mind, while lost ought night and day, I decided in the mid-nineties to more assiduously follow my breathing. And that’s how it’s been for the last twenty years. That single commitment brought my body more fully into the centre of my practice.

If I am with my breath, then I know I am present, because the body is always present. From there I can learn about all the ways I set up my ego-boundaries, which is where ego-death gets created.

(Not that tracking my breathing will help completely at the moment of death. There’s more to experience after the breathing stops; and this, too, you can verify while living.)

There are limitations, which I’ll go into later, to knowing the so-called ‘present’ and ‘present experiencing.’ Nevertheless, I have learned from my breath that any kind of body – gross, feeling, or subtle-energy body – is a self-organizing process within a larger mysterious process, which we call life. The body’s self-organizing is Life’s process, as well. Any body is of that larger life. And, this needn’t just be belief. We can feel directly and without doubt our belonging in the big process.

(Not that tracking my breathing will help completely at the moment of death. There’s more to experience after the breathing stops; and this, too, you can verify while living.)

There are limitations, which I’ll go into later, to knowing the so-called ‘present’ and ‘present experiencing.’ Nevertheless, I have learned from my breath that any kind of body – gross, feeling, or subtle-energy body – is a self-organizing process within a larger mysterious process, which we call life. The body’s self-organizing is Life’s process, as well. Any body is of that larger life. And, this needn’t just be belief. We can feel directly and without doubt our belonging in the big process.

Grounding myself in the flow of ‘body-as-experienced’ –  sensing into its condition in all conditions – helps me realize what the Japanese psychotherapist and Focusing trainer Akira Ikemi means, when he talks about com-bodying, rather than em-bodying. My OED says of ‘com-‘: “The sense is ‘together, together with, in combination or union’, also ‘altogether, completely’, and hence intensive.”Em-bodying‘ means to put something into the body, from outside it.

The way that I think of it is, that any body includes all which is not that body. Consider what the gross body would be, without its participation right now in the Earth’s water cycle, carbon cycle, and nitrogen cycle. Or, what would it be without the oxygen generated by the forests of the Amazon Basin? Breathing is always of the nature of inter-being.

The body is not one thing, and the environment another. They are in each other. Right now, feel into your body, and say gently to it, “I get that you are a part of the water cycle.” See how that shifts your sense of your self; how the feeling body responds. (Later, we’ll address the duality that appears to be inherent in this instruction.)

This, with many more aspects (including the social), is, to me, combodiment. This, if we are to save ourselves and flourish, together with our fellow species on this little blue planet, this we need to explore, to know, to feel intensely – that is, the presence of, this body as together with all that is, is a bodily being-together-with-all.

What makes death such a big deal, then? Is it not our clinging to patterns of experiencing, which are of thought. Yet, these very thoughts are mean to be aiding the body to carry forward in its life; and, they are always of the body. Out of the clinging we create our ‘personality’; centred not in process, but in the body being owned by a strictly-bounded ‘me’ and ‘mine.’ (More on this, later.) The body-mind is then split.

However, as a dynamic presenting of body-mind states, in reality I am never a static or objectifiable ‘thing.’ Whatever the body – gross, emotional, or subtle – they are each patterns of experiencing at differing levels of subtlety; a fact which only mindfulness of body-mind states can reveal.

The way of mindfulness of the ‘body’ reveals the body at ever more subtle levels. Knowing myself in this way, my perspective on death changes. At the gross level, this body deteriorates and stops functioning. From the subtlest perspective, though, all that is going on is that the universe is continuing its creative dance of collecting, extending, dissolving, and creatively varying itself. So, what is death, then, if it changes from level to level?

Turning Toward the Body, Turning Toward the Deathless

“(A Year to Live) is not simply about dying, but about the restoration of the heart, which occurs when we confront our life and death with mercy and awareness. It is an opportunity to resolve our denial of death as well as our denial of life in a year-long experiment in healing, joy, and revitalization.” – Stephen Levine, A Year to Live

Some people express a fear that thinking and journaling about death might invite death – physical death. That is one fear that will arise in this practice, but the primary purpose of this practice is to turn toward what we fear; to explore, feel, think, sense into, and know one’s actual relationship to this kind of life – the  life of fear –  as well as death. We help others when we help ourselves in this way, too.

One way to work with the fear of facing mortality is to keep grounded in our life as actually lived; that is, to know yourself intimately in all your daily, bodily-based changes. That’s why, in this work, I place an emphasis on mindfulness of the body; and knowing the body in the body – not simply as a concept.

“Before we can leave the body effortlessly we have to inhabit it fully. A remarkable means of heightening life as well as preparing for death is to enter the body wholeheartedly, sensation by sensation.” – Stephen Levine, A Year to Live

So, during the practice of A Year to Live, we can clarify the Buddha’s term ‘the deathless.’ It came to me forcefully several years back, with a radical clarity, that “There is no death.” I then undertook a period of review, to be sure that I was seeing right, which has included checking with accomplished Buddhist teachers. I wish to demonstrate this radical claim to you, during this project.

My understanding of the body is the other most radical shift in thinking during this inquiry. To dwell in the body intimately and fully only happens after a thorough training; because, this ‘dwelling’ not just about being in contact with bodily sensations and actions – the organism has much subtler dimensions than these surface processes.

Because the body is a local representative of true nature – it is the intelligence of the universe manifesting in specific ways, gross and subtle – we can resolve the question of who or what dies by knowing ourselves directly. And so, for me, the enquiry naturally deepens into an understanding of human nature as being more about ‘process’ than about ‘content.’ It’s more about how we are in the world, how we interact, and less about ‘what’ we are.

While I glimpsed, forty years ago, that I could say rightly, “I am not my body,” on the other hand, it is also the case, and is helpful to realize, “I am only my body.” This is not the body of modern medicine – a constructed thing, or a machine. The body is a way of knowing.

This experience-near, process-oriented way to think of ‘selfhood’ naturally leads to a different understanding of death. When we able to see the real issue in ‘death’ as the loss of our identifications with self-images, then this changes what is important about death and being human. We then know what matters about living.

The Deathless turns out to be surprisingly near; nearer than your breath.

Dialoguing with the Textual Traditions – 2

A person should not give himself away. He should not relinquish himself.”  – The Nikāya Buddha, in the Devasamyutta section, of the Samyutta Nikāya

Given all this, I have decided to dialogue with the texts, and not place my greatest reliance on some supposed historical Buddha. So, when I am saying where I learned something, then I will refer to the Nikāya Buddha, the Lankavatara Buddha, the Diamond Sutra Buddha, the Surangama Buddha, and so on; and my reader will not be confused about my Buddha, at that moment. My relationship with the Nikāya Buddha has spanned all my Buddhist life; it’s my favourite textual territory. Yet, in the early seventies, I learned a lot from my dialogue with the Lankavatara Buddha. And in the mid-seventies I learned a lot from the Surangama Buddha and the Diamond Sutra Buddha.

One reason why I chose this way of speaking, apart from the problems outlined earlier, is that I noticed that I would use the phrase “Buddha said…” to claim legitimacy for my views, whether the view was soundly based in experience or not. I’d use the name ‘Buddha’ to bolster my arguments. This is a kind of seduction, and so, upon discovering this, I abandoned the practice. And, I see other teachers arguing (sometimes fiercely) about what the Buddha said, as though they could know.

(By the way, in case you don’t know: ‘Buddha’ is a descriptive term, applied to a class of beings. It is not a proper name. What does it describe, then?

In the Anguttara Nikāya the Buddha says he is not a god (deva), nor any kind of heavenly being, nor is he a man. After perusing the etymology given in the Pāli-English Dictionary, I’ll accept ‘awakened’ as a reasonable translation.

Gotama was one in a line of Buddhas. By the end of this project, we might have a clearer idea of what this means, but for a start,: ‘not a god (deva), nor any kind of heavenly being, nor a man’ means he or she realizes that they are inconceivable. More on this later.

Whose victory cannot be undone, a victory not worldly:
by what path could one ruin an awakened one,
whose field is trackless, immeasurable
.
Dhammapada, verse 179. Translated by Christopher J. Ash)

So, back to our topic: Instead of saying ‘Buddha said…,’ I might say: “This is how I’ve understood the teachings; and, these are the set of texts which I hold up against my experience, to see if they can carry forward my life. In such-and-such a text, the Nikāya Buddha says…” I dialogue with the texts, and don’t claim to know what the historical Buddha said, thought or taught. That would not be a legitimate way to speak.

One further issue is whether one’s experience validates the texts, or the texts validate one’s experience. I would say it is ultimately the former. In respect of the latter, the texts may agree with my experience, or they question my experience (which I can be grateful for). And, they can only validate experience if I bestow some authority on them, which I can’t prove they have – except by appeal to bodily-grounded experiencing.

I think that would be an abdication of human responsibility, to grant the textual tradition the power to judge one’s experience. Nevertheless, my learner’s move is to grant them a provisional authority, and see in what direction my experiences change with that gesture. That’s why I talk, mostly, about the Nikāya Buddha, because I mainly use those texts to do this. They have proven to be profound guides.

My original blog morphed along the way, to become a dialogue with the earliest Nikāya Buddhist teachings on death. It seems that these texts are as close as we can get to the earliest Buddhist teachings (when augmented by similar texts in Chinese, called the Agamas). I began, part-way along in this project, to approached the Nikāyas with the questions: What did the Nikāya Buddha teach about death and dying? Was it of any interest to him, to live with full consciousness of death? Did he suggest some kind of preparation? And, as well – but, incidentally – I asked: What of the rebirth issue (a topic which brings controversy in modern Western Buddhism)?

(For this edited version of the original blog, for coherence, I bring in the theme of the Nikāya Buddha’s approach somewhat earlier than I did in 2015-16.)

Don’t Think About It

Caring attention is the deathless; inattention is death.
The attentive do not die; the inattentive are as though dead.
Dhammapada, verse 21. Translated by Christopher J. Ash

I heard recently of a five-year-old crying in anguish – “I don’t want to die.” Conceiving he would die, he conceived the cessation of his ‘I.’ In another instance, I saw a video of five-year-old, inconsolable because she realizes that her precious, little, baby brother is going to change; going to grow up. “I don’t want him to grow up,” she keens. By conceiving of a yet-to-come, she anguishes over the loss of what-is. She wants him to remain a baby, “because he is so cute,” she cries. It’s unthinkably painful – he won’t stay the way he is. Then she takes it further. Through her tears, she laments: “And I don’t want to die when I’m a hundred!”

These two instances got me thinking about other occasions when I’ve heard of children expressing that particular anguish. Most of us in the West (if not all) have a disowned child in us just like that, a child who once lamented, aloud or inwardly: “I don’t want to die.” If, as children, we spoke it out loud, the adults around us didn’t know what to say and likely only feed us the usual, meaningless, placatory cover-ups.

After all, they had not come to terms with the inevitable fact of death, either; so how could they have helped? They were uncomfortable in their lack of capacity to answer us. At best, due to their love, they touched into a pool of pain, helplessly witnessing the anguish of our innocence. Perhaps they treated our existential dilemma as cute (and videoed it). The little girl in the video – her father dismissed the experience, saying that she had a breakdown. My point is, the fact of death is not usually explored carefully, nor acknowledged openly.

  All in all, adult fear of the subject aids children to create disowned parts of themselves. They get on with growing up, and learn to hide the inconsolable lament away. In our culture, we don’t teach our children to respect the great matters of death, separation and loss. We avoid encountering the natural realization that death separates us from what is ever, ever so dear to us.

Edna St. Vincent Millay names the suppression of existential anguish. The middle section of her poem, Childhood is the Kingdom where Nobody Dies has the following lines. After acknowledging that cats die, she then says:

You fetch a shoe-box, but it’s much too small, because she won’t curl up now:
So you find a bigger box, and bury her in the yard, and weep.
But you do not wake up a month from then, two months
A year from then, two years, in the middle of the night
And weep, with your knuckles in your mouth, and say Oh, God! Oh, God!
Childhood is the kingdom where nobody dies that matters,
— mothers and fathers don’t die.

It’s unthinkable – but, what kind of ‘unthinkable’ is that? How big will we let the unthinkable be in us? How come we aren’t talking to each other about this, now that we’re grown? How come we aren’t learning to have our feelings about this? How come we aren’t wondering more openly, fully, together, “Who or what dies?” (That, by the way, is a title of another of Stephen Levine’s books: “Who Dies?”) “The attentive do not die.” What did the Nikāya Buddha mean?

How come we aren’t rushing with open arms toward the exploration of consciousness, that incredible unfathomable presence of knowing which resides in the human heart? Are we afraid of a meltdown? What will melt down, break down, or otherwise dissolve?

Why aren’t we exploring these questions? One answer is simply: the sheer momentum from years of turning the other way. “Don’t think about unthinkable things” is a rule. We humans are amazingly adept at compartmentalizing, so the unresolved encounters with the big questions get walled off (the dynamics of which walling-off, I’ll go into later). So, my point here is that childhood training helps the  broader society’s ‘Don’t-Think-the-Unsayable’ project.

So, publication of Stephen’s A Year to Live was a brave counter-cultural service. By opening up the conversation, by bringing the hidden to light, we can increase the richness of our ordinary daily experience. If we have cultivated the habit of inattention, how can we be grateful for and nurture the good in us, in a grounded way?

I don’t think that the little girl in the video had a breakdown, at all. I think it perfectly healthy that she spoke her heart out clear as day (and night): “I don’t want to die when I’m a hundred!” Maybe, if those feelings could be received deeply by those around her, and flow through her, then, ten, twenty or thirty years later, she could settle down to the life-expanding koan: ‘Who dies?’

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